The two-timeline structure is key to what makes Lovesick different, and so engrossing. Through it all, Flynn, Thomas, and Ings have great chemistry and each bring wit and charisma to three distinctly loveable protagonists. Luke’s laidback, carefree personality gets nice development through the series too, his hidden depths being probed in unexpected and touching ways. Dylan and Evie’s relationship brings out the best and the worst in both of them, helping to make them into well-rounded, believably human characters. But Edge moves them way beyond this point in his writing. If these sound like three romantic comedy archetypes, that’s because they are. Luke, meanwhile, is a womanising joker, never sticking with a relationship but fiercely loyal to his friends. Evie is sweet, kind and continually conflicted about her feelings for Dylan. ![]() Essentially a classical rom-com a lot of the time, Lovesick uses Dylan and Evie’s relationship as the emotional through-line for all three series, even if the narrative is supposedly held together by Dylan’s diagnosis.ĭylan is the kind of bumbling, attractive-yet-awkward hero we are used to seeing in a rom-com, never meaning to cause hurt but making a seemingly endless stream of bad decisions. Supporting characters like foolish, tiny Angus ( Joshua McGuire) and party-animal Jonesy ( Yasmine Akram) bring big laughs, but the show’s heart always lies in the friendships at its centre. The whole thing is extremely warm, likeable, and frequently funny. At the same time, the episodes progress through the ‘now’ timeline and the ever-evolving ‘will they, won’t they’ between Dylan and Evie ( Antonia Thomas), the third member of their best friend trio. Dylan now has to contact every woman he has ever had sex with to tell them the news.įrom here, Lovesick tackles one encounter per episode, flashing back months or years to Dylan’s variety of one-night stands and failed relationships. Episode One opens with Dylan ( Johnny Flynn) telling his best friend Luke ( Daniel Ings) that he has been diagnosed with chlamydia. ![]() With its set-up, Lovesick could easily have become the gross-out sex comedy that ‘Scrotal Recall’ suggests. It was a moniker that, whilst actually being quite a good joke and appropriate for the show’s premise, completely mis-sold its tone and intentions. You see, Lovesick was not always called Lovesick, but was for a while known as ‘Scrotal Recall’. That may have had something to do with the title. A Change of Heartīefore its move to Netflix, Lovesick ran for one series on Channel 4 in the UK, to a relatively small viewership. It ticks all the boxes of a good TV comedy-drama, just with more brains and heart than some of the others around it. There’s nothing niche or experimental about Lovesick it comes in 20-odd minute episodes it makes you laugh and it makes you cry. It is somewhat surprising that the British series never got close to being a mainstream smash, given how broad and accessible it is. But stop your average Netflix subscriber in the street and they likely streamed Tiger King or The Stranger over Lovesick. Tom Edge’s sweet, heartfelt romantic comedy is not exactly under-appreciated it ran for three critically-acclaimed series and is frequently the subject of evangelical articles such as this one. Perhaps that is why the show has never found the widespread love it so greatly deserves. Lovesick ticks virtually none of those boxes. Key things to look out for include: how easy the show is to market how outrageous or ‘bingeable’ it is how many famous/attractive people are in it and how easily ‘memeable’ it is. ![]() ![]() Not in terms of critical praise, but in word-of-mouth buzz and streaming figures. It is sometimes possible to guess whether a new TV series is going to be a Netflix hit or not.
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